Extension Tube Macro Photography

Recently I posted a quick note about using a reverse mounting ring to mount a lens on backwards to allow it to function as a macro lens. That is one inexpensive way to get into the world of macro photography. Today we talk about another – extension tubes.

Extension tubes are fairly easy to use. They increase the distance between the elements of the lens and the sensor and turn a regular lens into one that allows you to focus much closer to the subject. Today I grabbed the Telesar Auto 1:2.8 135mm lens in the OM-EF adapter mount. And I installed it on the Telesar lens and the Canon 6D camera. Then out the front door I went to “see what I could see”.

This type of setup, when shooting hand held, makes for a bit of difficulty in getting accurately focused. It’s mostly a matter of slowly leaning in or out until the image in the lens gets nice and clear. I did fiddle a bit with the focus ring, but as shaky as I am in such a situation it did not do much good. I set the f-stop on 8 and shot up a bunch of photos, many of which I ditched once I could view them on the big screen. Still, some useable ones were captured as well.

Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/800, ISO 500
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/320, ISO 1250
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/160, ISO 3200
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/160, ISO 3200
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/200, ISO 3200
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/60, ISO 3200
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/60, ISO 3200
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/400, ISO 3200
Canon 6D, Telesar Auto 1:2.8 135mm, f/8, SS 1/400, ISO 3200

As you can see, none of these are extreme closeup macro type, but that’s due to the telephoto lens and the mathematical equations which I DO NOT know. My understanding is that the wider the lens the closer one can get the image to look. So one of these days I need to attach the 18-55 lens and see how big I can get something to look without having to crop it extensively. Unfortunately, the widest manual lens I currently have is a 50mm Konica Hexanon. I’ll have to attach it and see how it goes. The more modern lenses I have do not allow one to manually set the f/stop, which is why I prefer the older “vintage” lenses for this kind of work.

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